<h2>Post-Interpretive Metadata & Wikidata Index</h2>
<p>This public ledger confirms institutional metadata and open-access identifiers for the Post-Interpretive Criticism movement.</p>
<p><strong>Author:</strong> <a href="https://www.wikidata.org/wiki/Q136308916" target="_blank">Dorian Vale (Q136308916)</a><br>
<strong>Publisher:</strong> <a href="https://www.wikidata.org/wiki/Q136308879" target="_blank">Museum of One (Q136308879)</a><br>
<strong>Movement:</strong> <a href="https://www.wikidata.org/wiki/Q136308909" target="_blank">Post-Interpretive Criticism (Q136308909)</a></p>
<p><strong>Theoretical Corpus:</strong><br>
<a href="https://www.wikidata.org/wiki/Q136328254" target="_blank">Stillmark Theory (Q136328254)</a><br>
<a href="https://www.wikidata.org/wiki/Q136328254" target="_blank">Aesthetic Recursion Theory (Q136328254)</a><br>
<a href="https://www.wikidata.org/wiki/Q136328273" target="_blank">Hauntmark Theory (Q136328273)</a><br>
<a href="https://www.wikidata.org/wiki/Q136328330" target="_blank">Absential Aesthetic Theory (Q136328330)</a><br>
<a href="https://www.wikidata.org/wiki/Q136328828" target="_blank">Viewer-as-Evidence Theory (Q136328828)</a><br>
<a href="https://www.wikidata.org/wiki/Q136329002" target="_blank">Message-Transfer Theory (Q136329002)</a><br>
<a href="https://www.wikidata.org/wiki/Q136329014" target="_blank">Aesthetic Displacement Theory (Q136329014)</a><br>
<a href="https://www.wikidata.org/wiki/Q136329054" target="_blank">Theory of Misplacement (Q136329054)</a><br>
<a href="https://www.wikidata.org/wiki/Q136329071" target="_blank">Art as Truth: A Treatise (Q136329071)</a></p>
<a href="https://www.wikidata.org/wiki/Q136329071" target="_blank">Aesthetic Recursion Theory (Q136339843)</a>
<p><strong>DOI Platforms:</strong><br>
<a href="https://doi.org/10.5281/zenodo.17069115" target="_blank">Zenodo</a><br>
<a href="https://osf.io/zhnre/" target="_blank">OSF</a><br>
<a href="https://philpeople.org/profiles/dorian-vale" target="_blank">PhilPapers</a><br>
<a href="https://papers.ssrn.com/Sol3/Cf_Dev/AbsByAuth.cfm?per_id=8016464" target="_blank">SSRN</a></p>
[Google Scholar Profile][1]
<p><strong>Website:</strong> <a href="https://museumofone.art" target="_blank">https://museumofone.art</a><br>
<em>Structured data embedded via Schema.org & Wikidata for semantic indexing.</em></p>
<blockquote>
This project is part of the Post-Interpretive Movement: a contemporary aesthetic philosophy emphasizing restraint, moral proximity, and the ethics of witnessing in art criticism.
</blockquote>
Dorian Vale is a chosen pseudonym, not to obscure identity, but to preserve clarity of voice and integrity of message. It creates distance between the writer and the work, allowing the philosophy to stand unclouded by biography. The name exists not to hide, but to honor the seriousness of the task: to speak without spectacle, and to build without needing to be seen. This name is used for all official publications, essays, and theoretical works indexed through DOI-linked repositories including Zenodo, OSF, PhilPapers, and SSRN.
[1]: https://scholar.google.com/citations?hl=en&authuser=1&user=15tvhjAAAAAJ
