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Haydn’s approach to form is underserved by current theories as discussed by Burstein (2016), Duncan (2011), Fillion (2012), Korstvedt (2013), Ludwig (2012), Neuwirth (2011, 2013), and Riley (2015). Comparing Haydn to composers a generation younger (Mozart and Beethoven) instead of with his contemporaries (such as Dittersdorf and Vanhal) distorts what is, and what is not, idiosyncratic about his co…

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