## ChiM
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The Chills in Music (ChiM) dataset contains, to our knowledge, all pieces of music which have been reported to elicit chills in the literature reviewed in [de Fleurian & Pearce (2021)][1].
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### Citation
This dataset is associated with the following article, and can be cited as such:
###### de Fleurian, R., & Pearce, M. T. (2021). Chills in music: A systematic review. *Psychological Bulletin*, *147*(9), 890–920. doi: [10.1037/bul0000341][2]
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### Version
This OSF repository contains the dataset as submitted at the time of publication (v2.0.0). An up-to-date version is maintained on [this GitHub repository][3], for which contributions are highly encouraged.
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### Data
ChiM is available as a `.csv` file [here][4]. The variables are as follows:
| Variable | Description
| -------- | -----------
|`author` | Publication authors
|`year` | Publication year
|`doi` | Publication DOI (see *References* for `NA` values)
|`mention_id` | Unique ID for each mention of a piece of music
|`song_id` | Unique ID for each piece of music (see *Methods*)
|`n_mentions` | Number of mentions in the dataset for each piece of music (see *Methods*)
|`type` | Mention type (see *Methods*)
|`artist` | Composer or performer
|`title` | Title of the piece of music
|`passage` | Specific passage mentioned in the publication
|`chills` | Specific moment at which chills occurred
|`notes` | Additional details
----------
### Methods
This dataset was prepared by compiling every mention of a piece of music reported to elicit chills in the literature reviewed in [de Fleurian & Pearce (2021)][5].
- **Inclusion criteria**: We only included pieces of music confirmed to elicit chills in at least one listener. As a result, some pieces of music mentioned in the literature were intentionally omitted, if occurrences of chills were not precisely assigned to individual pieces of music (e.g., [Mas-Herrero et al., 2014][6]), if no occurrences of chills were recorded for specific pieces of music (e.g., [Grewe et al., 2007][7]), or if chills occurred in response to stimuli combining music and other modalities (e.g., [Strick et al., 2015][8]).
- **Sources**: Most mentions of pieces of music were included directly in the text or in the associated supplementary materials. For [Bannister & Eerola (2018)][9], data from the associated dataset ([Bannister & Eerola, 2017][10]) was also included.
- **Mention type**: For the included pieces of music, the `type` variable describes whether a specific mention was an `anecdote` by the authors, a participant `report` of chills, an `empirical` verification of chills, or a `discussion` of prior results.
- **Names**: Artist names and song titles were harmonised across publications, most often following a basic search on Google or Wikipedia.
- **IDs**: Each mention of a piece of music was assigned a unique `mention_id`, and individual pieces of music were also assigned a unique `song_id` in order to easily identify the ones which are mentioned several times in the literature, as indicated by `n_mentions`.
- **Duplicates**: Mentions of several movements from the same piece of music and otherwise duplicated mentions of pieces of music in the same publication were consolidated into a row with a single `mention_id`.
- **Covers**: Different performances or covers of a piece of music were assigned to the original composer in the `artist` variable, and include some `notes` for further details about the performance. These pieces of music were assigned the same `song_id` with a distinct suffix (e.g., `s456a`, `s456b`, and `s456c`).
- **Missing data**: Whenever a reasonable guess was possible, missing `artist` information was added. In other cases, missing information is indicated as `NA`.
----------
### References
#### Wiki
###### Bannister, S., & Eerola, T. (2017). Suppressing the chills: Self-reports, physiological and psychoacoustic correlates (V2). *Harvard Dataverse*. doi: [10.7910/dvn/iucn1q][11]
###### Bannister, S., & Eerola, T. (2018). Suppressing the chills: Effects of musical manipulation on the chills response. *Front. Psychol.*, *9*, 2046. doi: [10.3389/fpsyg.2018.02046][12]
###### de Fleurian, R., & Pearce, M. T. (2021). Chills in music: A systematic review. *Psychological Bulletin*, *147*(9), 890–920. doi: [10.1037/bul0000341][13]
###### Grewe, O., Nagel, F., Kopiez, R., & Altenmüller, E. (2007). Listening to music as a re-creative process: Physiological, psychological, and psychoacoustical correlates of chills and strong emotions. *Music Percept.*, *24*(3), 297–314. doi: [10.1525/mp.2007.24.3.297][14]
###### Mas-Herrero, E., Zatorre, R. J., Rodriguez-Fornells, A., & Marco-Pallarés, J. (2014). Dissociation between musical and monetary reward responses in specific musical anhedonia. *Curr. Biol.*, *24*(6), 699–704. doi: [10.1016/j.cub.2014.01.068][15]
###### Strick, M., de Bruin, H. L., de Ruiter, L. C., & Jonkers, W. (2015). Striking the right chord: Moving music increases psychological transportation and behavioral intentions. *J. Exp. Psychol. Appl.*, *21*(1), 57–72. doi: [10.1037/xap0000034][16]
#### Dataset
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###### Bannister, S., & Eerola, T. (2017). Suppressing the chills: Self-reports, physiological and psychoacoustic correlates (V2). *Harvard Dataverse*. doi: [10.7910/dvn/iucn1q][23]
###### Bannister, S., & Eerola, T. (2018). Suppressing the chills: Effects of musical manipulation on the chills response. *Front. Psychol.*, *9*, 2046. doi: [10.3389/fpsyg.2018.02046][24]
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###### Grewe, O., Kopiez, R., & Altenmüller, E. (2009). The chill parameter: Goose bumps and shivers as promising measures in emotion research. *Music Percept.*, *27*(1), 61–74. doi: [10.1525/mp.2009.27.1.61][36]
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