Perceptual equivalence in preparing global harmonic closure in the Jazz idiom

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  1. Martin A. Rohrmeier

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In the tonal musical practice, different intervallic relationships between pre-terminal and terminal harmonies may be interpreted as preparations of closure. The available substitutions of closural progressions include plagal and authentic progressions, the latter further including octatonic substitutes of the dominant as captured e.g. by Tonfeld theory (Haas, 2004). The cognitive and perceptual ...

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